Winston Churchill (Christian McKay) in Churchill at War, a limited series premiering December 4th on Netflix.
Clementine Churchill (Erica Wessels) in Churchill at War, a limited series premiering December 4th on Netflix.
I came across a decomposed childhood toy whilst clearing out my Mother’s attic. It was shot using an Ebony 5”x4” camera with available light and printed using dye transfer.
This photo of a McQueen lace helmet styled by Isabella Blow was taken at Issy’s Gloucestershire home, with Alexander McQueen resting upstairs. The atmosphere was charged with the presence of two remarkable talents.
Actor Marton Csokas
One of my favourite creatives I worked with was Walter Campbell. From Belfast. He lifted my game.
Jeremy Renner
Tom Carty
Eugene Strange
Julia Fischer
Isabella Blow brought Lara to my studio.
A scene from a miniseries about Abraham Lincoln.
A scene depicting the survivors of The Battle of the Crater during The American Civil War. 1864.
Scene depicting Theodore Roosevelt (Rufus Jones) in the Badlands, Dakota. 1885
General Ulysses S. Grant arrives at his headquarters at Cherry Mansion in Tennessee for the Battle of Shiloh.
A scene depicting The Yalta Conference
Photographed in a make shift tent at the race track for a an electric car race in Red Hook, Brooklyn, Di Grassi featured in a documentary that Fisher Stevens and I directed together about Formula E racing “And We Go Green.”
Photographed at Brooklyn E-Prix in 2018.
Racing driver Sebastian Buemi, four time winner of The 24 Hours of Le Mans.
Taken on one of the few remaining 20"x24" instant Polaroid cameras.
This was commissioned by a Parisian advertising agency. Some years later a meat manufacturer bought a large print of this image to hang high above in the canteen of a meatpacking plant in Minnesota.
I ran into Andy McKay, a schoolfriend, when he was an advertising creative. While I was going through a short lived Titian stage, Andy kindly posed a young Venetian.
I went to Milwaukee to shoot a scene for a Nike commercial. The morning after I wandered about and found this tree.
Scene depicting the manumission of William Jones by Ulysses Grant in 1859.
Inside the vaults of Jack Daniels, photographed using employees dressed in period costume for an advertising campaign.
Milliner Philip Treacy
The actor, producer and director Fisher Stevens
Jena Malone
The boxer Chris Eubank
Tom Carty and Walter Campbell brought Barry Kamen into my studio for a portrait.
David Unger asked me if I would photograph Mickey’s headshot. After finishing the headshots, I snapped him sitting with his dog.
Leon Greenman (1910–2008) was a British anti-fascism campaigner and survivor of the Auschwitz concentration camp. I photographed Leon during a break while making a TV commercial for the recruitment of teachers.
This portrait was taken as part of an unfinished series of interviews with fashion designers and Isabella Blow for Bath Museum.
I was commissioned to photograph the artist Glen Baxter for a long forgotten Dutch design magazine. I asked Glen if he would draw a mural on the studio wall. He grumbled and declined, then I suggested he dress up as one of the characters from his drawings.
I was commissioned to make s short film for Nowness featuring Royal Ballet principal Sarah Lamb performing Wayne McGregor’s choreography from Woolf Works. I used an Alexa Mono camera and a helium balloon light that gave the dancer freedom to move.
I was lucky enough to get access to one of the few Geisha schools left in Tokyo where I photographed a student being prepared. what I did learn was the meaning of the Geisha is far more subtle and complex than I ever imagined.
While waiting for magic hour during a commercial, these clouds over Wadi Rum formed. Photographed using a Linhof Technorama 6x17 camera.
I went to Easter island to film a commercial for the Millennium Dome. The idea was to shoot shadows moving across the faces of the Moai statues with time lapse cameras. After setting the cameras and waiting for the shadows to pass, I photographed the Moai with a Linhof 6x17cm rangefinder camera.
Wadi Rum Desert, Jordan. Photographed using a 6×12cm Linhof Technorama.
Snapped outside the Los Angeles Center Studios.
Snapped at the Olympic Stadium in Montreal.
The artist Peter Blake in his studio.
The racing driver Jean Eric Vergne waiting for the race to start.
Val-des-Sources, formerly known as Asbestos, South Quebec.
Tom Carty in the early ‘90’s with his phone.
Winston Churchill (Christian McKay) in Churchill at War, a limited series premiering December 4th on Netflix.
Clementine Churchill (Erica Wessels) in Churchill at War, a limited series premiering December 4th on Netflix.
I came across a decomposed childhood toy whilst clearing out my Mother’s attic. It was shot using an Ebony 5”x4” camera with available light and printed using dye transfer.
This photo of a McQueen lace helmet styled by Isabella Blow was taken at Issy’s Gloucestershire home, with Alexander McQueen resting upstairs. The atmosphere was charged with the presence of two remarkable talents.
Actor Marton Csokas
One of my favourite creatives I worked with was Walter Campbell. From Belfast. He lifted my game.
Jeremy Renner
Tom Carty
Eugene Strange
Julia Fischer
Isabella Blow brought Lara to my studio.
A scene from a miniseries about Abraham Lincoln.
A scene depicting the survivors of The Battle of the Crater during The American Civil War. 1864.
Scene depicting Theodore Roosevelt (Rufus Jones) in the Badlands, Dakota. 1885
General Ulysses S. Grant arrives at his headquarters at Cherry Mansion in Tennessee for the Battle of Shiloh.
A scene depicting The Yalta Conference
Photographed in a make shift tent at the race track for a an electric car race in Red Hook, Brooklyn, Di Grassi featured in a documentary that Fisher Stevens and I directed together about Formula E racing “And We Go Green.”
Photographed at Brooklyn E-Prix in 2018.
Racing driver Sebastian Buemi, four time winner of The 24 Hours of Le Mans.
Taken on one of the few remaining 20"x24" instant Polaroid cameras.
This was commissioned by a Parisian advertising agency. Some years later a meat manufacturer bought a large print of this image to hang high above in the canteen of a meatpacking plant in Minnesota.
I ran into Andy McKay, a schoolfriend, when he was an advertising creative. While I was going through a short lived Titian stage, Andy kindly posed a young Venetian.
I went to Milwaukee to shoot a scene for a Nike commercial. The morning after I wandered about and found this tree.
Scene depicting the manumission of William Jones by Ulysses Grant in 1859.
Inside the vaults of Jack Daniels, photographed using employees dressed in period costume for an advertising campaign.
Milliner Philip Treacy
The actor, producer and director Fisher Stevens
Jena Malone
The boxer Chris Eubank
Tom Carty and Walter Campbell brought Barry Kamen into my studio for a portrait.
David Unger asked me if I would photograph Mickey’s headshot. After finishing the headshots, I snapped him sitting with his dog.
Leon Greenman (1910–2008) was a British anti-fascism campaigner and survivor of the Auschwitz concentration camp. I photographed Leon during a break while making a TV commercial for the recruitment of teachers.
This portrait was taken as part of an unfinished series of interviews with fashion designers and Isabella Blow for Bath Museum.
I was commissioned to photograph the artist Glen Baxter for a long forgotten Dutch design magazine. I asked Glen if he would draw a mural on the studio wall. He grumbled and declined, then I suggested he dress up as one of the characters from his drawings.
I was commissioned to make s short film for Nowness featuring Royal Ballet principal Sarah Lamb performing Wayne McGregor’s choreography from Woolf Works. I used an Alexa Mono camera and a helium balloon light that gave the dancer freedom to move.
I was lucky enough to get access to one of the few Geisha schools left in Tokyo where I photographed a student being prepared. what I did learn was the meaning of the Geisha is far more subtle and complex than I ever imagined.
While waiting for magic hour during a commercial, these clouds over Wadi Rum formed. Photographed using a Linhof Technorama 6x17 camera.
I went to Easter island to film a commercial for the Millennium Dome. The idea was to shoot shadows moving across the faces of the Moai statues with time lapse cameras. After setting the cameras and waiting for the shadows to pass, I photographed the Moai with a Linhof 6x17cm rangefinder camera.
Wadi Rum Desert, Jordan. Photographed using a 6×12cm Linhof Technorama.
Snapped outside the Los Angeles Center Studios.
Snapped at the Olympic Stadium in Montreal.
The artist Peter Blake in his studio.
The racing driver Jean Eric Vergne waiting for the race to start.
Val-des-Sources, formerly known as Asbestos, South Quebec.
Tom Carty in the early ‘90’s with his phone.